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An excerpt from The Suspect

An excerpt from The Suspect

John Lescroart


Here is the fundamental irony of the wilderness experience: Its principal lesson is that we are not alone.

I am standing in the middle of a stream at the hour when the sun begins to clear the ridge out to the east. The shadow of the mountain recedes and reveals a world of vibrant color – beyond the gray of rock and indigo sky, suddenly the field explodes into wildflowers – yellows and greens, reds and pinks and blues and whites. A movement out of the corner of my eye turns out to be a buff coyote stalking prey.

 

Downstream, a deer stops for a drink. A jackrabbit breaks from its cover. Overhead, a hawk circles in a rising thermal. On the water, the hatch begins and the air above the stream fills with clouds of mayfly, or caddis, or mosquito.

 

I cast and a trout strikes.

 

There are no other humans in sight. From the direct evidence of my senses, there may be none on the planet. Any yet my state of being is suffused with a sense of belonging in this place, at this time. I am in the midst of the dream of the Buddhist who, requesting a hamburger, says: “Make me one with everything.”

 

One with everything.

 

It is singular that this experience of a healing solitude without any sense of loneliness occurs, for me, only in the wilderness. Perhaps it is because there are so few of the expectations of others to accommodate. Here I am responsible only to myself, only for my survival. A day or two out of the blandishments and distractions of daily life – away from the traffic and the small talk and the advertisements, away from the constant assault of vulgar and voracious media of all kinds – and I become increasingly aware of a deep sensory awareness that roots me to the here and now in a profound and fundamental way.

 

I am connected to the earth and always, immediately, to the present. I am an animal, both prey and predator, keenly tuned. I have no one to convince. There are no complaints. The interruptions are natural.

The fish leaps high in a flash of color, splashes back into its pool, begins a run that strips line and bends the rod. My concentration is absolute. The least slack in the line and the trout will throw the tiny barbless hook, and I will have lost my breakfast. Because make no mistake, if I manage to land it, I will eat this fish.

 

My appetites, out here, are simple and attainable. I don’t need a raise, new clothes, gifts. Money can have no possible meaning. My music is in the stream, in the breeze, the crackle of a fire, the beat of my heart. I am empty of worry. And in this natural state, ironically enough, I get the closest to a feeling of identity with my fellow man.

 

This is the essence, and I am part of it.


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John Lescroart

 

John Lescroart (pronounced "less-kwah") is a big believer in hard work and single-minded dedication, although he'll acknowledge that a little luck never hurts. Now a New York Times bestselling author whose books have been translated into 16 languages in more than 75 countries, John wrote his first novel in college and the second one a year after he graduated from Cal Berkeley in 1970.

 

The only hitch was that he didn't even try to publish either of these books until fourteen years later, when finally, at his wife Lisa's urging, he submitted Son of Holmes to New York publishers—and got two offers, one in hardcover, within six weeks!